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Finding the particular specs of 2 guitars online is quite some work.
In many cases, the manufacturers don’t inform the same features about the instruments that you want to compare and you have to start digging all over the web to find them.
But hey, relax!
If you are here, it seems like I have already done that job for you.
Here is a brief description of these 2 guitars:
The PRS S2 McCarty 594 is made in USA, has a solid mahogany body, a set Pattern Vintage “C” (Single Cut, Double Cut), Pattern Thin “C” (Thinline) mahogany neck, rosewood fingerboard, and HH pickups. The Gibson Les Paul Modern is made in USA has a solid (ultra modern weight relief) mahogany body, a set Asymmetrical Slim Taper mahogany neck, ebony fingerboard, and HH pickups.
The PRS S2 McCarty 594 has Vintage Style tuners, PRS 58/15 “S” Humbucker pickups, and Coil-tapping electronics. The Gibson Les Paul Modern has Grover Locking Rotomatics tuners, Burstbucker Pro Rhythm Humbucker pickups, and Coil-tapping, Phase reversal, Pure bypass electronics.
For those who want a deeper dive into all the specs that make these 2 guitars different, in this article I will put them side by side so you can see their main differences.
After that, I will show you some sound tests I found, and give you a brief history of each one of them.
I will then talk about their main specs one by one, and link you to some other interesting articles I have written about these specific features.
Finally, I will give you some comments about each of these instruments.
Are you ready to get started?
PRS S2 McCarty 594 and Gibson Les Paul Modern side by side
|Spec||PRS S2 McCarty 594||Gibson Les Paul Modern|
|Years of production||Since 2020||Since 2019|
|Body type||Solid||Solid (Ultra Modern Weight Relief)|
|Body shape||Double Cut / Thinline Double Cut / Single Cut||Les Paul|
|Top material||Maple (Single Cut, Double Cut)||Maple|
|Finish||Gloss Nitrocellulose over CAB||Gloss Nitrocellulose|
|Neck shape||Pattern Vintage “C” (Single Cut, Double Cut), Pattern Thin “C” (Thinline)||Asymmetrical Slim Taper|
|Fingerboard radius||10″||10″ – 16″ Compound|
|Number of frets||22||22|
|Fret material||Nickel Silver||Nickel Silver|
|Fret size||Medium Jumbo||Medium Jumbo|
|Bridge||PRS 2-Piece Stoptail||Nashville Tune-O-Matic|
|Nut||Synthetic/Bronze powder blend||GraphTech|
|Tuners||Vintage Style||Grover Locking Rotomatics|
|Neck pickup||PRS 58/15 “S” Humbucker||Burstbucker Pro Rhythm Humbucker|
|Bridge pickup||PRS 58/15 “S” Humbucker||Burstbucker Pro + Lead Humbucker|
|Electronics||Coil-tapping||Coil-tapping, Phase reversal, Pure bypass|
|Controls||2 x Volume, 2 x Tone (push/pull coil-split)||2 x Volume (push/pull coil-tap), 2 x Tone (push/pull for bypass/phase)|
|Switching||3-Way Toggle||3-Way Toggle|
|Weight||6 – 9 lbs (Thinline – Singlecut)||8.5 – 9.5 lbs|
|Players||John Mayer, Myles Kennedy, Mark Lettieri, Ryan Bruce, Fredrik Åkesson, Rick Beato, Tim Pierce, Mike Martin||Slash, Gary Moore, Jimmy Page, Zakk Wylde, Billy Gibbons, Randy Rhoads, Ace Frehley, Joe Perry, Peter Green|
|Case||Gig bag||Hardshell case|
What do they sound like?
PRS S2 McCarty 594 play demo
Gibson Les Paul Modern play demo
A brief description of the PRS S2 McCarty 594
“A classic workhorse with a distinctive edge, the PRS S2 McCarty 594 solidbody electric guitar gives you buttery playability, exquisite tone, and stunning good looks — all packed into an instrument priced for the working musician. Two custom-wound, coil-splittable 58/15 S humbuckers serve up a huge range of warm, harmonically rich tone that overdrives your amp beautifully. And the PRS S2 McCarty 594’s timeless yet modern appearance — accented by iconic PRS Birds inlays — will command attention every time you take the stage.”Source: Sweetwater.com
A brief description of the Gibson Les Paul Modern
“Featuring an Ultra-modern weight-relieved mahogany body and packed with sonically versatile electronics, the Les Paul Modern is armed for the most demanding stage and studio requirements. Modern players will be instantly drawn to the Asymmetrical SlimTaper neck profile and contoured heel. And tone freaks will have plenty to geek out about with the Les Paul Modern’s Burstbucker Pro pickups, with four push-pull pots unleashing a huge range of iconic tones via tapped and phase/bypass options. All the while, stable Grover Rotomatic tuners and a Nashville Tune-o-matic bridge ensure precise tuning stability, action, and intonation.”Source: Sweetwater.com
The PRS S2 McCarty 594 has a solid body. The Gibson Les Paul Modern is built with a solid (ultra modern weight relief) body.
As you probably know, the body type of a guitar is a defining factor for its character and tone.
If you want to know more about how these kinds of bodies affect these guitars, you can check out this article:
The PRS S2 McCarty 594 has a Double Cut / Thinline Double Cut / Single Cut body. The Gibson Les Paul Modern is built with a Les Paul body.
The shape of a guitar’s body has serious implications on its playability, but not so much on its tone.
If you want to know everything about the effect of guitar body shapes, and their influence on the instrument, check out this article:
The PRS S2 McCarty 594 has a solid mahogany body. The Gibson Les Paul Modern is built with a solid (ultra modern weight relief) mahogany body.
The kind of material used to build a guitar’s body is something you should really pay attention to.
This is one of the main factors that define the tone of an instrument.
If you want to know how these specifics materials impact the tone of these guitars, you should take a look here:
Guitarists are often curious about how guitar tops affect tone.
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There are many factors that contribute to the sound of a guitar, and whether it has a top is an important one. With so many options on the market, it can be difficult to make a decision.
The following article will explain what guitar tops are and why they matter, as well as provide guidance for those who want to learn more about these options.
In short, a guitar’s top has a slight, but perceivable, influence on its tone, however, they are mostly used for aesthetic purposes.
Whether your preferred guitar has one or not, it shouldn’t worry you too much.
However, if you want to know all there is about guitar tops, go here:
The PRS S2 McCarty 594 has a gloss nitrocellulose over cab finish. The Gibson Les Paul Modern is painted with a gloss nitrocellulose finish.
Guitar players know that there are many variables in determining the sound of a guitar. Yet, one of the most popular debates is about nitro vs poly.
Let’s explore this question, so you can make an informed decision for your next purchase.
These 2 finishes are both types of varnish that can be used to protect and beautify a guitar’s wood. They also have slightly different properties that some players argue can influence the tone of your guitar.
Nitro is a type of varnish that is thinner and less durable, while poly is thicker, way more durable, and cheaper.
Poly provides more protection from moisture and scratches, but some people argue it reduces resonance and sustain. Nitro wears off with time but has a more organic feel to the touch and is said to improve sustain and resonance.
The PRS S2 McCarty 594 has a mahogany neck. The Gibson Les Paul Modern is built with a mahogany neck.
The type of wood that a guitar neck is made of will have a significant impact on the tone of your guitar.
Tonewoods have different densities, hardness, and acoustic qualities.
The type of wood a guitar neck is built with will determine its final sound.
In the following article I present you a list of the most common tonewoods used in guitar necks, and the influence they could have on the tone of the instrument:
The PRS S2 McCarty 594 has a Pattern Vintage “C” (Single Cut, Double Cut), Pattern Thin “C” (Thinline) neck. The Gibson Les Paul Modern is built with a Asymmetrical Slim Taper neck.
The shape of a guitar neck has a significant impact on the tone and playability.
Guitar necks come in a variety of shapes, so it’s important to know what each of those shapes offers.
Luckily for you, I’ve compiled some general information about each different type of guitar neck shape so you can make an informed decision when choosing your next guitar:
The PRS S2 McCarty 594 has a PRS headstock. The Gibson Les Paul Modern is built with a Gibson headstock.
The shape of a guitar’s headstock is not really a big defining factor for its tone.
However, many players argue that differences in mass, especially at the end of the neck can have some implications in tone.
In this article I go deep into that topic and answer the most pressing questions:
The PRS S2 McCarty 594 has a set neck. The Gibson Les Paul Modern is built with a set neck.
Guitar necks come in a variety of different joints, and each one has its own pros and cons.
Knowing the differences between each joint can help you decide which is best for you.
A guitar’s neck joint is what attaches the guitar’s neck to the body of the instrument.
There are 3 types of neck joints: bolt-on, set, and neck through.
Bolt-on necks are attached by screws at the heel of the neck and can be removed easily for repairs or customization.
Set necks attach to a pocket in the guitar’s body and stay put with glue.
In neck trough instruments, the neck elongates and becomes the central piece of the body, where most of its hardware is mounted. Then, there are wood “wings” glued to its side to complete the body shape.
If you want to know the specifics of each of these joints, check out this article:
The PRS S2 McCarty 594 fretboard is made of rosewood. The Gibson Les Paul Modern fretboard is built of ebony.
The material of a guitar’s fingerboards is as important as the one of the rest of the neck.
In conjunction, both these 2 parts have a deep impact on the final tone of the instrument.
Also, take into consideration that the fretboard is the point of contact for your playing fingers with the guitar, so feel is also a very important factor.
In the following article, I share my thoughts on different fingerboard materials and their impact on the final sound of the instrument:
The PRS S2 McCarty 594 has a 10″ radius. The Gibson Les Paul Modern is built with a 10″ – 16″ Compound radius.
The radius of the fingerboard is a measure of how curved the neck of the guitar actually is when looking at it from bridge to nut.
This curvature is really a defining factor for how the instrument plays, and some players are very strict about it.
If you want to know more about how it’s measured and the effect it has on the playability of a guitar, you should look at the following article:
The PRS S2 McCarty 594 has 22 medium jumbo nickel silver frets. The Gibson Les Paul Modern is built with 22 medium jumbo nickel silver frets.
The frets on a guitar have a deep impact on its playability.
Many players don’t consider this as important as other features, but more experienced ones will be very picky about this.
Bigger frets make a guitar easier to play, however, they hinder the overall intonation of the instrument.
Also, there are different fret materials to consider.
In these articles, I dive deep into how important are frets for a guitar.
The PRS S2 McCarty 594 has a 24.594″ scale length. The Gibson Les Paul Modern is built with a 24.75″ scale length.
The scale length of a guitar refers to the longitude of the vibrating part of the string.
This is measured from the nut to the bridge, and for intonation purposes, the middle point is always the 12th fret.
Different scale lengths have varying influences over things such as string tension, and of course, fret gap size.
If you want to know more about this, I invite you to read the post below:
The PRS S2 McCarty 594 has a PRS 2-Piece Stoptail bridge. The Gibson Les Paul Modern is built with a Nashville Tune-O-Matic bridge.
A guitar’s bridge is one of the 2 points of contact the strings have with the body and neck.
It is a central part for the transmission of vibrations through the instrument, and also defines many important factors for playability such as string spacing and action.
Some bridges also have extra functionalities.
To know everything there is about this part of the guitar, please go here:
The PRS S2 McCarty 594 has a stopbar tailpiece. The Gibson Les Paul Modern is built with a stopbar tailpiece.
Tailpieces are often forgotten when thinking about guitar parts, however, they have been there for centuries, and there are many different designs with alternate features.
Whether your guitar has a standalone one or a bridge that works like one too, you might be interested in broadening your knowledge about tailpieces here:
The PRS S2 McCarty 594 has a synthetic/bronze powder blend nut. The Gibson Les Paul Modern is built with a graphtech nut.
The nut of a guitar is a small but very important part of the instrument.
It helps define string spacing, action, and is the source of many of the tuning issues cheaper instruments suffer from.
There are many kinds and materials of nuts out there, and if you want to know how they can impact your instrument of choice, you should go to this article:
The PRS S2 McCarty 594 has Vintage Style tuners. The Gibson Les Paul Modern is built with Grover Locking Rotomatics tuners.
Guitar tuners don’t have a direct effect on how a guitar sounds.
However, their quality will be a defining factor in your playing experience.
It’s fundamental that your instrument has good quality machine heads to keep it in tune.
In the following article, I dive deep into the most common questions players ask about tuners, and their functionality:
Guitar pickups are one of the main components of any electric guitar.
But do guitar pickups make a difference in sound? This can be a difficult question with many different answers.
The most important thing to note is that it is not just the type of pickup that determines a guitar’s sound, but also how and where you place the pickup on the guitar.
In this guide, we will discuss the different types of pickups and how they affect your sound.
We will outline how pickups work and what are the central factors that determine how they influence the tone of your instrument.
Finally, we will help you compare different models and make an informed decision about which pickup is right for you.
The PRS S2 McCarty 594 has coil-tapping electronics, 2 x volume, 2 x tone (push/pull coil-split) controls, and a 3-way toggle switch. The Gibson Les Paul Modern is built with coil-tapping, phase reversal, pure bypass electronics, 2 x volume (push/pull coil-tap), 2 x tone (push/pull for bypass/phase) controls, and a 3-way toggle switch.
The electronics of an electric guitar are what gives the instrument its name. However, because they are hidden inside the cavities into its body, they are often forgotten.
Controls, switches, capacitors and resistances, all make for the circuitry of a guitar, and all have effects on the final tone and sounds it can offer to the player.
If you want to know the main things about this topic, I recommend you follow this link:
The PRS S2 McCarty 594 weighs 6 – 9 lbs (Thinline – Singlecut), and the Gibson Les Paul Modern weighs 8.5 – 9.5 lbs.
Guitar weight is an important factor when it comes to finding the right guitar for you.
A heavier guitar will give you more sustain, but a lighter guitar will be more resonant, and easier to play and carry around.
However, there’s no single answer to whether a lighter or heavier guitar will sound better than the other.
There are also many factors that could determine what weight of guitar would be best for you.
Here, I explore some of these considerations and what I think are the main points to take into account:
The PRS S2 McCarty 594 is a classic for PRS, now with 3 different alternatives to serve all tastes: A single-cut version, a double-cut version, and a thinline version, with no Maple top and reduced weight. A must-have for those looking for Gibson lovers who want a familiar PRS.
The Gibson Les Paul Modern is a futuristic take on the original Les Paul with features such as modern weight relieving, locking tuners, coil-splitting, a phase inversion switch, an asymmetrical neck, and many other things that, while maintaining its original soul, makes it a very interesting new instrument.
Which one do you think you like better?
Hello there, my name is Ramiro and I’ve been playing guitar for almost 20 years. I’m obsessed with everything gear-related and I thought it might be worth sharing it. From guitars, pedals, amps, and synths to studio gear and production tips, I hope you find what I post here useful, and I’ll try my best to keep it entertaining also.